• Kitsch is pretense. But not all pretense is kitsch. Something else is needed to create the sense of intrusion—the un-wanted hand on the knee. Kitsch is not just pretending; it is asking you to join in the game. In real kitsch, what is being faked cannot be faked. Hence the pretense must be mutual, complicitous, knowing. The opposite of kitsch is not sophistication but innocence. Kitsch art is pretending to express something, and you, in accepting it, are pretending to feel. Kitsch therefore relies on codes and clichés that convert the higher emotions into a pre-digested and trouble-free form—the form that can be most easily pretended. Like processed food, kitsch avoids everything in the organism that asks for moral energy and so passes from junk to crap without an intervening spell of nourishment.

    - Kitsch and the Modern Predicament by Roger Scruton, City Journal Winter 1999 (via poeticfaith)
    Jan
    08
    2012
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Jeffrey Overstreet, Gradually Dazzled.

Jeffrey Overstreet is the author of a four-volume fantasy series called The Auralia Thread, which includes Auralia's Colors, Cyndere's Midnight, Raven's Ladder, and The Ale Boy's Feast - as well as a memoir of "dangerous moviegoing" called Through a Screen Darkly, which has become a popular university textbook on film interpretation and faith.

He is also a contributing editor to Seattle Pacific University's magazine Response, and a blogger at LookingCloser.org.

He reviews movies twice a month for Image.

Here's a full bio.

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