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“Light and darkness, sun and moon, stars and planets, trees, beasts, whales, fishes, and birds of the air, all these things in the world around us and the whole natural economy in which they have their place have impressed themselves upon the spirit of man in such a way that they naturally tend to mean to him much more than they mean in themselves. That is why, for example, they enter so mysteriously into the substance of our poetry, of our visions, and of our dreams. That too is why an age, like the one we live in, in which cosmic symbolism has been almost forgotten and submerged under a tidal wave of trademarks, political party buttons, advertising and propaganda slogans, and all the rest — is necessarily an age of mass psychosis. A world in which the poet can find practically no material in the common substance of everyday life, and in which he is driven crazy in his search for the vital symbols that have been buried alive under a mountain of cultural garbage, can only end up, like ours, in self-destruction. And that is why some of the best poets of our time are running wild among the tombs in the moonlit cemeteries of surrealism. Faithful to the instincts of the true poet, the are unable to seek their symbols anywhere save in the depths of the spirit where these symbols are found. These depths have become a ruin and a slum. But poetry must, and does, make good use of whatever it finds there: starvation, madness, frustration, and death.”
- Thomas Merton, Literary Essays, p. 333Jan052012
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